Wednesday, November 25, 2009

Rainbow Discography


In 1974, Ritchie Blackmore, frustrated with the funk/soul direction of Deep Purple's Stormbringer, as well as the band's rejection of his desire to record a cover tune, decided to record the song as a solo single track. He brought in the band Elf (minus their guitarist), who had supported Deep Purple on previous tours, as his backing musicians. However, Blackmore and singer Ronnie James Dio quickly discovered a musical chemistry, which prompted Blackmore to leave Deep Purple and form Rainbow.

From 1975 - 1984, and again from 1994 - 1997, the band included a staggering 24 musicians (featuring seven bassists, six drummers, six keyboardists, four singers, and one very tempermental guitarist). The early recordings with Dio are fan favorites, and were influential in the development of many of today's progressive and power metal bands.

Rising (1976) - 97.98
Well, it doesn't get much better than this. This is actually my second-highest rated album, and needless to say, there's not a bad song to be found. Side two of the original LP may be the best album side in rock and metal history, with two tracks (Stargazer and A Light In the Black) totalling almost 17 minutes of sheer musical bliss. Recommendation: Buy immediately!

Favorite tracks: Stargazer, A Light In the Black, Tarot Woman, Starstruck

Stranger In Us All (1995) - 88.10
Ritchie Blackmore reforms Rainbow after a tumultuous 10 year stint with the reformed Deep Purple. The album features an all-new lineup (including future wife and Blackmore's Night founding partner Candice Night as songwriter and off-stage background singer) and is an excellent conclusion to the Rainbow studio discography. Recommendation: Worth buying.

Favorite tracks: Ariel, Hall of the Mountain King

Straight Between the Eyes (1982) - 86.27
Rainbow finally achieve commercial success (not a bad thing, by the way) with power ballad Stone Cold leading the way. The album title allegedly came from Jeff Beck, who used the phrase when describing Jimi Hendrix to Blackmore. Blackmore tucked it away for years, finally deciding this was the time to use it. It's hard to disagree. Recommendation: Worth buying.

Favorite tracks: Death Alley Driver, Stone Cold, Eyes of Fire

Down to Earth (1979) - 86.00
Graham Bonnett replaces Dio on vocals, and not surprisingly, the band starts to pull away from the fantasy motif of the previous albums. Rainbow finally hit the radio airwaves (and MTV!) with All Night Long and Since You Been Gone, but Eyes of the World and Lost In Hollywood are the real gems on this album. Recommendation: Worth buying.

Favorite tracks: All Night Long, Eyes of the World, Lost In Hollywood

Long Live Rock 'n' Roll (1978) - 84.44
Rock anthems, speed metal, fantasy themes, ballads... this album has it all. Unfortunately, the lengthy mediocre ballad Rainbow Eyes had a rather large impact on the rating. Were it just a little better, the album rating would have been almost five points higher. Recommendation: Worth buying.

Favorite tracks: Long Live Rock 'n' Roll, Gates of Babylon, Kill the King

Ritchie Blackmore's Rainbow (1975) - 84.01
The first Rainbow album is a mix of great and not-so-great songs, but standout tracks Man on the Silver Mountain and Sixteenth Century Greensleeves hint at future excellence. Plus, there's a cool instrumental cover of The Yardbird's Still I'm Sad. Recommendation: Worth buying.

Favorite tracks: Man on the Silver Mountain, Sixteenth Century Greensleeves, Still I'm Sad

Difficult to Cure (1981) - 82.66
Joe Lynn Turner takes over vocal duties. The band, turning ever more commercial, continues producing radio- and MTV-friendly tunes. Mostly good stuff here, but ironically, the non-radio-friendly self-titled instrumental is the only standout track. Recommendation: Worth buying.

Favorite track: Difficult to Cure (Beethoven's Ninth)

Bent Out of Shape (1983) - 79.91
Their most radio-friendly album was also their weakest. This is not a condemnation of the album; after all, it still received an 80 rating (if you round up). It's just that there are no "holy shit" moments. On the other hand, there are no "vomit-a-little-in-your-mouth" moments either. There is something to be said for consistency, even if only reaches the level of very good. Recommendation: Worth buying.

Favorite tracks: none

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